Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Monday, January 10, 2011

Art and Artists: Lyricists

There are few things better in life than combining one thing I enjoy with another. For example: root beer and vanilla ice cream, lunar eclipses and Pink Floyd, football and Saturdays. One accentuates the other to the extent that both are enjoyed on a larger scale, often so much so as to illustrate the idea that the whole can be greater than the sum of its parts. Pretty cool.

One of my favorite combinations is of music and profound poetic genius...and while profound might be a bit of a stretch, a song with powerful or beautiful or poignant lyrics will always catch my ear more than one that could be written by a middle schooler. Perhaps this explains my affinity for folk and indie music while maintaining a general dislike of rap and hip hop (yes, I know there are some rappers who are masters of word choice...there are exceptions to every rule).

Wednesday, December 8, 2010

Art and Artists: Freelance Whales

In keeping with my belief that anything I have to say has already been said better than I could ever say it, I will let the Freelance Whales introduce themselves to you.

"To call them multi-instrumentalists might be a little overdone. The kids in Freelance Whales are really just collectors, at heart. They don’t really fancy buffalo nickels or Victorian furniture, but over the past two years, they’ve been collecting instruments, ghost stories, and dream-logs. Somehow, from this strange compost heap of little sounds and quiet thoughts, songs started to rise up like steam from the ground."

Thursday, July 15, 2010

Making Lists: Albums

Part of my personality leaves me prone to creating lists, as many people close to me are well aware. I’m not sure why or what it is, but grouping or ranking things comes naturally to me. In an effort to provide new content in this space more often, this will be a new series of sorts; expect more of these posts on a fairly regular basis.

The first list I want to share is musically based. While I may not be as knowledgeable about music or as skilled in creating it as some of my friends (such as Tessa and Shelby respectively), I enjoy sound creations as much as anyone. Below I will lay out the ten albums which I am currently enjoying the most, and hopefully be convincing enough to nudge you in their direction. If I sound ignorant, it is because I am. So cut me some slack, if you would be so kind. Happy hunting.

De-loused in the Comatorium – The Mars Volta
This album is one of my favorites for popping into the car stereo and driving with. The uniqueness of sound created by the Mars Volta is fantastic; even after having listened to this album on and off for a few years I am always discovering new layers to the music. The concept album aspect intrigues me as well (the songs tell a story based on the death of a friend of the band). While the band has put out a good deal of new material since this studio debut album (and solid material at that), none of it has stuck with me like this one.
Songs that stick: Son et Lumiere/Inertiatic ESP, Drunkship of Lanterns, Cicatriz ESP, Televators

OK Computer – Radiohead
I ran across this album a bit later than most; despite its release in 1997, I didn’t hear it until ten years later. This album, similar to De-loused, is one that I have listened to off and on for the last few years, but I still haven’t grown sick of it. While Radiohead is certainly a rock band, they don’t fall in the trap of writing music that all sounds the same (ala Nickelback). Each song on the album carries a unique feeling with it, and that diversity between tracks is a large part of the joy I take from the album.
Songs that stick: Paranoid Android, Exit Music (For a Film)

O – Damien Rice
As I said when I profiled him in the most recent Art and Artists post, Damien may be my favorite musician at the moment. He writes and plays with passion and honesty that I have not often run across. His debut album, O, is a fantastic piece of music. So many of the songs deal with heartbreak and lost love, such a relatable thing for many of us. The contrast between his less polished vocals with Lisa Hannigan’s beautiful singing voice provides a constant reminder of the separation they often sing about. This album is folk music at its finest, and one that I enjoy greatly.
Songs that stick: Blower’s Daughter, Older Chests, I Remember

Greatest Hits I – Queen
Yes, I realize that choosing a greatest hits album might be cheating. I don’t really care. This album is one of the best collections of music I have ever heard, and nothing is more fun to listen to in the car with friends, belting out each song louder than the last. I have many great memories associated with this album, which might contribute a bit to how much I enjoy it.
Songs that stick: Bohemian Rhapsody, Killer Queen, Don’t Stop Me Now

Word of Mouth – Timmy Curran
Curran is a retired professional surfer turned musician, something that you might expect from the free feeling that comes with this album. The lyrics don’t strike me as terribly deep or challenging, but the music is quite positive and flows well.
Songs that stick: Comatose, Slow, Joan

Amethyst Rock Star – Saul Williams
Saul is another artist I have profiled in the Art and Artists series, and beyond being an incredible poet he is a talented musician. This album contains a number of Saul’s poems put to music or shaped in a new way, and the results are breathtaking. Instead of mindless lyrics combined with a hip hop beat, Saul presents the listener with pure poetry as lyrics, intelligent and surprisingly well suited to the drum and bass or hip hop background the words are placed on. I rarely ventue into the hip hop genre, but this is a grand exception. This album is one that will definitely make you think, but the beat is enough to make your head bob and knee bounce all the same.
Songs that stick: Tao of Now, Coded Language

We Were Here – Joshua Radin
Another folk album that I greatly enjoy. Radin’s music is fairly subdued, volume control is certainly not an issue with this album. However, listening to these songs evokes some sense of familiarity with who Joshua Radin is despite my never having met him. There is a great deal of relatability contained in the lyrics, and the acoustic guitar/string pairings make for beautiful, soothing music.
Songs that stick: Everything’ll Be Alright (Will’s Lullaby), Winter

Wish You Were Here – Pink Floyd
Old, yes. From a different era, certainly. But a fantastic album nonetheless. This album contains one of my favorite individual songs of all time, some of the best synthesizer work I’ve come across, and an altogether fantastic combination of sounds. Wish You Were Here only contains five songs, two of which last over twelve minutes each, and three shorter songs. Something about WYWH makes me want to listen to it again and again, and so I do.
Songs that stick: Welcome to the Machine, Wish You Were Here

Narrow Stairs – Death Cab for Cutie
I don’t have anything profound or special to say about Death Cab or this album. I just greatly enjoy the sound, the cadence and the content. This another one of those albums that I could turn on and never reach to skip a song.
Songs that stick: I Will Possess Your Heart, Grapevine Fires

9 – Damien Rice
You didn’t really expect me to leave off Damien’s other album, did you? This effort has a distinctly different feel from O, but I love it all the same. 9 tends to be a faster, more upbeat album musically, while hitting on the same topics of love and loss. My only wish would be that Damien put out a third full length album; this one leaves me wanting more from him.
Songs that stick: 9 Crimes, Dogs, Coconut Skins

Certainly there are other albums that I enjoy and enjoy greatly. These include: X&Y by Coldplay; Whatever and Ever Amen by Ben Folds Five; Everything in Transit by Jack's Mannequin; Till the Sky Turns Black by Ray LaMontagne; I'm Wide Awake, It's Morning by Bright Eyes; The Wall by Pink Floyd; No Sir, Nihilism is Not Practical by Showbread; Strange and Beautiful by Aqualung; In Rainbows by Radiohead; Under the Iron Sea by Keane. I'm sure I am overlooking many great albums; feel free to add to the list in the comments below.

Friday, July 2, 2010

Art and Artists: Damien Rice


The next artist I want to approach is Damien Rice. Damien is an Irish folk singer and songwriter who has released two studio albums, O in 2002 and 9 in 2006. These two albums feature Lisa Hannigan on a large number of tracks, and the two have become synonymous with each other despite having not worked together since 2007. The Irish Times describes Damien as “a most excruciatingly honest songwriter”, a claim that holds true after listening to his music. Because of his place in the folk/folk rock genre and having not put out new material in a few years, many are not familiar with Damien Rice and his music. His music tends to be acoustic guitar led, usually with strings (cello or violin) and/or drums in the background. If you are familiar with Damien and enjoy his music, please add your thoughts. For those that do not know his music, perhaps this will provide incentive to do so.

In keeping with my hope of finding an outside opinion about the art and artists I will be presenting, I sought out an old friend of mine whom I know to be a fan of Damien. Shelby has performed some of his music before on stage, giving her a somewhat unique perspective to my own. She is one of the most musically talented individuals I know, and it was an easy decision to ask her to contribute here. Once again, she and I both answered seven questions that I created, hoping to provide some insight into what sets Damien Rice apart.

1. How did you first find out about Damien Rice?
Shelby – I first found out about Damien Rice about three years ago. I sang his song, Volcano, at a backyard wine and cheese tasting with a friend of mine.

Kevin – At a New Year’s Eve party (2008 – 2009 I believe) I was discussing music with one of my friends. Folk has been a favorite genre of mine for a while, and this caused my friend to bring up Damien Rice as an artist I might enjoy. He introduced me to Damien by having me listen to Cannonball and Blower’s Daughter, two songs off the album O. At the time, I was unsure about Damien, as I usually am the first time I hear an artist. A week later, I was at a Border’s bookstore closing sale and picked up a copy of his debut album, O, on a whim. I certainly didn’t regret it.

2. What is your favorite song that Damien has written?
Shelby – My favorite song is Blower's Daughter (video here). It puts me in such a sensitive, soft, beautiful mood whenever I hear it. But there isn't a song of his that I don't love. Volcano, 9 Crimes, Delicate, Rootless Tree. They're all so rusty and honest.

Kevin – I have two favorites, one from each album. From O, I Remember is an incredible song. Damien and Lisa each sing half of the song, expressing the confusion and emotion of two lovers who no longer are but remember what once was. It’s a heavy, beautiful song. The album version is fantastic, but what set that song apart for me was a live version done for the BBC (here). I have never seen a live performance done so flawlessly as that. My favorite song off 9 is Coconut Skins (here), an upbeat, quick song about the worth of being still and not knowing what to do or wait for. It is a catchy song, an easy listen, and one that will certainly get stuck in your head.

3. Are there any themes to his that stick out to you?
Shelby – Heartbreak. The extreme vulnerability of being intimate with a woman. Then the mistakes and confusion that come later in a relationship- getting back what little you gave, or often times just being betrayed.

Kevin – I can’t really argue with what Shelby said. Many of his songs (Delicate, Volcano, Lonelily, Rootless Tree, etc.) deal with broken emotions and relationships that have gone sour; in those songs his ability to make the audience understand and feel his emotions really shines. One can tell that he has invested emotionally into both his past and his music. By combining the two, the emotion contained in his songs is palpable. Raw and beautiful, all the same.

4. What makes Damien an important artist in our generation?
Shelby – His honest lyrics. Being relatable and raw are elements that this generation really gravitates toward. That's what I love about his music the most, and at the same time am bothered by it. I love how truthful he is, but there is not very often a redeeming moment in his music. It's kind of good for sulking, which I would say actually isn't good for this generation, especially.

Kevin – There is something about his music that really sticks with me after listening to it. The relevance of his music to my emotions sometimes takes me off guard; it is strange sometimes to listen to him sing about what I am feeling, as if he knows my situation and penned the song with me in mind. I agree with Shelby that Damien seems to focus on the path behind him into the valley rather than finding the path back up. However, we live in a culture that wants to go, go, go and never slow down. We want to identify our problems and immediately fix them with infomercial products and miracle gels. But Damien seems to recognize that he doesn’t have to fix everything immediately. While he may mourn the loss of a lover in a morose way, he shows that we don’t have to run to someone else when a relationship goes bad. He tells us that it is okay to remain in that place, that an immediate respite from our pain is not necessary.

5. Describe Damien using one word.
Shelby – Gray. What I mean by that is... his main theme I would say is confusion. Most of his songs are all about the gray, tough parts in love; the messy, gritty confusion. And I just picture a heartbreaking shade of gray when I hear him.

Kevin – Honest.

6. How have his songs influenced you?
Shelby – Mmmm...I think they allow me to feel pain when I need to feel it. But I have to watch myself in how much I listen to him, to be honest. I can get myself into too the same sulky gray if I don't switch to something else after a while!

Kevin – His songs have allowed me to better understand my own emotions and hang ups when it comes to broken relationships. I love the way he writes songs that are packed with emotion but are unhurried and subdued, very still. It is as if he wants us to feel his emotion without having to show it himself in a flamboyant fashion. That helped me understand that I can feel real, powerful emotion but not make a spectacle of it. I can maintain my demeanor even as the world might seem to be crashing down around me.

7. Explain why you think more people should get to know Damien Rice and his music.
Shelby – Oy. Everyone should. Because he's real, sensitive, and rusty! He's just a mess, but he puts it all out in the open. I think people should be a bit more the same.

Kevin – He may never make you want to tear up the dance floor, but he will make you feel. I find that to be valuable beyond measure.